Space and Hipsters

The Intergrated Space Plan was created by Rockwell International in the 1980s to play with the events and criteria that would be required for humans to begin to colonise the solar system and beyond. The original can be found here. Right about now we're supposed to be a 'biplanetary civilisation' but instead we just cut funding to NASA.

Apart ffrom that, here's a great quote from Venkatash Rao about why the embrace of hipsterdom will refresh market activity:
To really go beyond industrial age models, we need to forget about the technology and challenge customers to engage us in relationships that are, quite simply, more sophisticated. Relationships that effectively use irony and humor to at once acknowledge the artificial and simulated nature of the manufactured “personal” relationship and make use of its undoubted practical utility. Irony and humor have always been humanity’s primary tools in creatively engaging contradictory realities. The alternative is a dystopian nightmare of unacknowledged, or worse, unrecognized theatricality that will ultimately only make the relationship, and the entities on both sides of it, stupider and poorer in every way. Just as “wrestling” is fun when everybody conspiratorially shares in the fiction that it is real, but tragic, dehumanizing and infantilizing when grown-ups don’t realize it is a show, social at scale will need to rely, ultimately, on crafting creatively ironic relationships with customers. Companies that fail to do this will become exploitative.

IG Farben

At the time of the Second World War, IG Farben was the largest chemical manufacturing company in Europe and the fourth largest commercial interest in the world having successfully conglomerated itself from various smaller companies in 1925. These companies included Bayer, most famous for being the creator and rights holder for aspirin, the world's most successful drug. BASF, one of the first companies to successfully synthesise ammonia for fertilisers and AGFA, the inventor of x-ray plates. It was so large that a conspiracy was unveiled during the war in which it was found to be manipulating oil prices in collusion with US Standard Oil in a conspiracy dubbed by the US courts as the 'Farben Cartel.'

IG Farben itself became infamous for first cooperating with the Nazis and then for taking advantage of slave labour offered by the concentration camps and the invention, dissemination and profiting from the manufacture of Zyklon B used in the 'Shoah by Gas.'


During the Nazi's initial sweep across Eastern Europe after the beginning of Barbarossa in June 1941, the management of IG Farben directed the Wehrmacht as to which facilities should be seized for use by the company. The company's interest in an area near Aushcwitz in Poland was peaked because of the strong rail links in the area and the Nazi's interest in setting up a concentration camp for Eastern European Jews near the town: Heinrich Himmler had promoted the idea of using labour from the concentration camp to power the factory in an effort to Germanise the region and attract German settlers to a new commercial centre.

Due to the surprisingly large demands of IG Farben on slave labour for their new facility (the complex can still be seen here on Google Maps) Himmler had to triple the size of the camp from 10,000 prisoners while IG Farben agreed to pay the treasury 4 Reichsmark a day for each labourer. The SS was charged with selecting the most violent prisoners - named kapos - to act as slave-drivers, beating the Jewish slaves to make them work harder.

The facility - named Buna-Werke - was constructed by 10,000 Red Army prisoners in the summer of 1941 after they were marched miles from the front without food or sleep. At the site, they were not fed, but were told to 'graze' for what they could find in local fields.

IG Farben's Buna Werke, though the directors denied all knowledge, was the site for the deaths of 83,000 workers from the Eastern front and Morowitz (Auschwitz III) yet produced no chemical products at all before IG Farben's dissolution. The company also funded the human experimentation of Dr Mengele and Dr Vetter at Auschwitz-Birkenau who managed to barter down the price per human subject from 200 Reichsmark to 170. Vetter wrote: 'I feel like I'm in paradise!' 

IG Farben also held the patent for Zyklon B and a 42% stake in the company that manufactured it. 


At the Nuremburg Trials held by the allies for war crimes, 24 directors and managers of IG Farben were indicted. 13 received prison sentences of between one and eight years. 

Hermann Schmitz, the company director spent four years in prison and then went on to join the supervisory board of Deutsche Bank and became honorary president of Rheinische Stahlwerke AG. George von Schnitzler was the prime intermediary between the SS and Nazi leaders and IG Farben, he picked out and planned sites, including Buna-Werke. He served one year in prison before taking a position as president of Deutsch-Ibero-Amerikanische Gesellschaft and appearing in high society magazines. Fritz ter Meer served two years for slavery and spoliation then took positions on several boards including Bayer AG, a former IG Farben subsidiary. Otto Ambros served two years and became an adviser to Dow Chemical. Heinrich B├╝tefisch served two years and became a director for Deutsche Gasolline. Max Ilgner served five years and was the appointed chairman of Zug. Heinrich Oster served one years and joined the supervisory board of Gelsenberg AG. All of the 24 had resumed positions in business and high society by the mid-fifties in time for the 'German Eocnomic Miracle.'

IG Farben still exists as a registered company and trades on the German stock market and as of 2003 possessed £6.7m of assets despite having been in liquidation since 1952 when it was dissolved back into it's subsidiary's.  The board meet yearly to assign compensation to charities.

Permacultures

I've been selected to take part in the Permactultures round of residencies at SPACE this year. This is a fantastic opportunity to develop some of the elements I began to approach in 88.7. In particular, I'm going to be looking deeper into the merging of the human form and the markets through technology - something I visualised in the 'cutaneous growths' from 88.7. I'll be allowed around a month of time to develop my proposal which I've centered around four core questions:

What would the increased reliance on trading as the key resource to growth begin to look like and how would the visual markers of this world begin to change? 

How might the non-financial world and it’s culture form itself around or apart from these mutations and advances? 

Would the new speeds of our economy accelerate our already accelerated culture? 

What kind of deeper engagement might these demands for new technologies put on society and what might be the ramifications for the rest of us? 

Exciting. Obviously it's a while off but while I'm there I hope to organise some workshops and events that I'll publicise more as the time comes. 


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San Francisco Now and Then

Great photo series from Shawn Clover that super-imposes images from the San Francisco 1906 earthquake with modern photos of the same locale. Been doing the rounds for a while but it's worth taking time to sit down and really study the seamless blending in the images. 

Pedestrians cross Jones St towards a pile of rubble on Market Street. The Hibernia Bank building is burned out, but still standing strong.

A women opens the door to her Mercedes on Sacramento Street while horses killed by falling rubble lie in the street.

A woman walks dangerously close to a pit of rubble on 5th St by the US Mint. The Mint has done a remarkable job surviving the quake.

Two girls stand before the partially destroyed Sharon Building in Golden Gate Park while students work on their art projects inside.

Pedestrians walk past Mechanics Monument at Bush Street and Battery Street while ghostly shells of buildings stand precariously in the background.

3D Rendering



I've just finished doing some visual work for DJ Rustie's live shows. I've put together some samples in a short video as well as some stills. It was a pretty fun brief in terms of the learning curve on doing complex light renderings and I found some mean effects. 

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Under Black Carpets

My friend and sometime inspiration Ilona Gaynor has got a new piece - Under Black Carpets. I don't know much about it as yet, but I'm sure I'll be enlightened shortly as she's briefly visiting London on her way from west to east coast US. As was seen with Everything Ends in Chaos, there's slick cinematic models and a dark boardroom aesthetic of power. Anyway, some great images are up on her flickr that I thought I'd share.

Phase 1, Study of Bank Infiltration, Downtown Los Angeles

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This is going on show at the Lisbon Triennial next year in the basement of the converted bank that now serves as Lisbon's modern art museum.